Tag: genealogy

Between Cases

Nurse Aird moved from case to case, and was never one place very long. Her friends always managed to catch up.

Over several weeks, we have been learning about Elizabeth Rowen Aird, who worked as a private nurse in the Teeside region of England in the early part of the 20th century. Her distinctive handwriting boldly appeared among a collection of vintage English postcards from 1902 to 1916. Two cards charted a course back to Redcar and an earlier essay about an unusual seaside stroll. Another single card happened to be in the right place and time in regal roadworks.

This week, we examine the postcards Liz received from fellow nurses, faithful friends, and grateful patients. This view expands the territory, too. Her friends write from Glasgow and Isle of Wight, and from more familiar stations. The cards also follow her from case to case, often forwarded to a new address where she was working.

Nurse Aird was not attached to one hospital ward. She took private cases one at a time, perhaps through a nursing registry or through established relationships with convalescence homes. She picked up patient cases on a weekly or monthly basis, often staying in the family’s home and moving on when each case ended.

William Smart’s mother still in great pain, no hope of decreasing it. Am with very pleasant people. I am keeping very well but get well tired. Went to Unity on Sunday evening – hope you both keep well. Expect to be here till away case – it only came off a week ago. Bob Payhrs is not so well. Will get direct train when it comes out. Liz

Fellow nurses kept in touch, perhaps to ease the loneliness of a stay away in a family home that may have seemed unfamiliar.

So glad to receive your letter – will answer it later. Came here on Saturday; an old lady again. This is a very old town, but we are quite in the country & it is so lovely. Am quite well & hope you are Yours, B.E.W.

Or, simply to gossip!

Thanks for pretty P.P.C. Can’t think of how P. delaying so long. Probably could not forgive herself for the ‘ride’ not coming off, sort of penance. I am wondering if you have got any fresh storyettes about ‘nurses’ now don’t keep them all to yourself you know I enjoy them immensely. Weather lovely, no work of course. how can a mere student? Ta Ta you N.S.

We don’t know if Nurse Aird had formal training or even if she chose the nursing profession. Nurses in her era had to remain unmarried to be employable, and unmarried women often became nurses. Liz must have offered a kind word to a young woman thinking about her options.

Dear Nurse, Thank you very much for P.P.C I have not been through Darlington twice. Yes, I am still thinking of going in for nursing. I shall soon be old enough. They will take them at 22 at Aston. So I shall not have long to wait. I will write you a letter in a day or two and tell you all the news. Hope you are keeping well. When are you coming over to see us. Yes I think we are all pretty well. Harry is getting married soon. I will tell you when in my letter when I write. We are having a concert next Saturday. Shall be glad when it is over. Hoping to hear from you again, I remain your loving friend. S.

Nursing would not become a registered profession in Britain until the Nurses Registration Act of 1919. Liz worked steadily for at least two decades before that law existed. Though she moved within a firm social architecture, there were few legal protections, and no patient meant no pay.

Will stay here next week & then if nothing turns up will come over during race week. Nurses are all on holiday, as there is nothing doing. Glad the belt is alright. This weather is very relaxing – the country is lovely just now – went for a drive with Miss Lucas yesterday. Liz.

Rest and relaxation came through friendships, church, and a seaside social calendar. Alice A. Lucas belonged to Liz’s own circle in Darlington, built around the Unity Society there. Her December 1906 card included good news of her mother’s health, and also her evening plans.

It was kind of you to send such a pretty P.C. to Mother. She is not quite ready yet to need you to nurse her, but has only just escaped that fate!! We have had her in her room since Friday, by Sunny Jim’s orders (a slight internal bother) We hope to have her down tomorrow. How are you, dear? We shall be glad to see you back. I am going down to the singing practice now. Mr Side is doing very well. We are arranging for a “Unity Church Society” for study of social & other questions. Goodbye – with our united love, affectly yrs, Alice A. Lucas.

This congregation met in Darlington from 1873 to 1922, part of the Unitarian church in England. It was a big part of Liz’s social world during her time there, from 1906 to 1915. Over the years, she attended concerts and lectures, walked in the park, and traveled to see friends connected through church.

6 South Ter Harrogate, Thanks for card. We wondered how you had got on. Rev S.S. Brettell comes 14 Sun Oct – fear you may not get here – we do not record.

Her mother attended a separate Unity congregation back home in South Shields. Through their correspondence, we see the bond between mother and daughter, and also the goings-on of a socially progressive faith community. A 1912 card confirms a standing weekly commitment in South Shields.

Dear Mrs Aird The U.S. meeting will be at the above adress tomorrow night. The N.E. Cafe is let for the whole of the winter for Thurs. if it suits the members I hope you will be able to be there.

Mother and daughter each had their own circles, engagements, and schedules, which sometimes overlapped.

Going up to Tyne Dock to see Harmonium to-night. Come down as soon as you can to-night. I may go to park. Liz

Despite the typical brevity and levity of postcards, they do sometimes deliver devasting news. Liz’s cases were not always easy.

Hope you are keeping better! Last Sunday I had blue baby at church in the afternoon. She had a convulsion at 11 at night & died Monday morning. It was very unexpected. The patient is alright but her mother is ill and not expected to recover – I miss the baby more than anyone she was such a sweet little thing. How cold here the weather is, a great change, you must be careful not to get cold. Much love to both, Liz.

The postcard she sent from Sedgefield Asylum comes with an ominous chill. Also known as Durham County Lunatic Asylum, it was built in 1858 and expanded in the 1880s until it held 700 patients under one roof, with its own chapel, stables, and water supply. That same building was absorbed into the newly formed National Health Service in 1948, renamed Winterton Hospital in 1949, and continued treating patients into the mid-1990s.

Bark House, Sedgefield. Hope you are all well. Have been very busy – patient still in bed. Have you read the failure of Mr Stopkus. I was with them a year ago – regular fraud – I expect to go thro the asylum next week. Hope they wont keep me in. Send me a few lines this week, not sure if I can get next week. Much love to both. Liz

Other patients wrote to Liz with the encouraging and frustrating details of getting better. Given the number of these messages, we have to assume she stayed in touch with some patients and families long after the case was over and she had moved on.

“Have been here five weeks. Am feeling much better & stronger & staying a little longer. Kindest regards. E Beaumont”

Maud, recovering in Nottinghamshire in August 1907, wrote with wry humor.

“Thanks for card – Am improving everyday – Can walk splendidly! Plenty of fresh air of course – unfortunately can’t get away from nurses – there is one visiting here just now – Are you not sorry for me? Yours”

A few messages indicate that Liz was generous, too. Gifts and parcels were exchanged regularly, including some little bonnets that seem to have been for sale. Messages nearly always offered a health update and wishes for her own wellbeing, and her parents.

My dear Nurse, Thank you very much for your nice parcel. The little bonnets are lovely. They will sell I am sure. Hope you are feeling better. Father has been ill but is better. Love from all. E.S.

Dear Miss Aird, I received your letter thanking you very very much for the present it was quite a surprise. I am enjoying myself very much and having beautiful weather. Hope you are keeping better and also your mother. Gertie.

Dear Miss Aird, Thank you very much for the biscuits. we are sorry your father & you are so ill. Mother on the improve but not able to go about yet. She will write to you as soon as she can. With love from all, Rachael

A few cards taken together trace a long friendship. Rennie, writing from Whitley Bay in July 1910:

15 Park Parade, Whitley Bay. We arrived here yesterday. Hope you will be over to see us. We are here for 10 days with Yeoman Eli. Love from Rennie.

A missed meeting the same month:

Very sorry I can-not meet you tomorrow, hope you will have a nice day at Whitby. Love from Rennie

An invitation the following September:

Cherryburn Gardens Fenham, Thanks for your invitation, shall be pleased to come on Monday leaving here 2.0 but must return 5.30. Hope your Mother is keeping better. With love from Rennie.

And a week at Langholm in 1913, with her own mother:

Mother & I have been here a week. Leaving Monday. We are enjoying the rest, a change. The weather is good, rain this afternoon for the first time. How is your father keeping? I hope better. Love from us both, from, Rennie

These cards we first approached as places—Alnwick, Nottingham, Newcastle-on-Tyne—were not scenery chosen at random. They were where Liz and her circle actually spent the free time that their arduous work allowed them. The seaside villas, the castles, and parks were the landscapes for their lives.

Read together, these cards describe a social system built almost entirely on goodwill and improvisation. The National Health Service, founded in 1948, was built to respond exactly these gaps: free care for all, a regulated nursing profession, hospitals and asylums brought under one public system. Liz’s world and her own work preceded what we think of as healthcare now. What came after was far from perfect, and it is worth appreciating what it replaced.

First Day on Kingsway

One day, a long time ago, we saw the King & Queen on a famous road. It was certainly something to write home about.

Cataloging a postcard album doesn’t happen in one pass. I might yearn for an efficient process that handles each card only minimally, but in the beginning even the most obvious information is so dense it can only be processed in stages. When it comes to the narratives on the reverse, the details are even more subtle. Look closely. Look again. Slowly build a theory, and an alternate. Be prepared when evidence says otherwise.

I have made three passes so far on the English album I mentioned last week. First, we sorted them alphabetically by place, then grouped by handwriting, then ordered by date. Each pass asks a different question: Where are we? Who is writing? What happens? And, for this set especially, when is the train?

This card collection was first assembled by Elizabeth Rowan Aird. Called Lizzie by her family and close friends and known professionally as Nurse Aird, she signed most of her own messages simply, Liz. Her postcards span nearly a decade, from 1903 into 1912. They have the rare benefit of including both sides of the correspondence.

Liz and her colleagues wrote to one another from nursing posts in the region. Liz organized her work scheduled by postcard and wrote home to her parents regularly. Luckily, she kept all of those cards many years on. They trace her friendships, her patients, and her long devotion to family back home in South Shields. The essays ahead will follow her travels closely: the places she stayed, the people she nursed, her life between shifts.

Some of her stops include Darlington, Middlesbrough, and West Hartlepool, which sit inside the Teesside region, built around the River Tees. Iron drove the area’s growth during the nineteenth century. Bridge building, railway manufacture, shipbuilding, and engineering all grew mightily from the local pride that ran deep in each trade in that era.

The roots of rail travel began in Darlington in 1825, when Edward Pease founded the Stockton and Darlington Railway. By the time Nurse Aird traveled regularly for work, the North Eastern Railway had knit these towns into a dense network. A nurse could move from patient to patient along the same rail lines built to move coal and iron.

These same railways also carried visitors to the coast. Holidays became easy fare for middle-class families as the railway network opened the seaside to them. The Stockton and Darlington Railway reached Saltburn from Redcar in 1861, and day trippers and holiday travelers followed almost immediately. Cheap excursion trains ran regularly. Whitley Bay, further north on the Tyneside coast, developed the same way.

Nurse Aird’s family and friends enjoyed the view from these places, too. The postcards tell of short trips to the coast, days off between assignments, a postcard sent home to signal a railway return. There is so much territory to explore in Nurse Aird’s travels more than a century ago. We’ll get there.

For now, we start on one very special day for the country as a whole. Nurse Aird’s younger brother John Aird and his companion were visiting London on holiday when they witnessed King Edward VII and Queen Alexandra open “The New Road.”

Seen King & Queen opening The New Road today. This is the 3rd time we have saw them since our arrival.

The London County Council first published its plans for Kingsway in 1898, though talk of a new route between Holborn and the Strand had circulated for years before that. The project became the largest road-building scheme in London since Regent Street in 1820. Building it through one of the most crowded corners of Victorian London meant that 3,500 residents lost their homes. One-hundred feet wide, it was one of the broadest streets in central London with a rail tunnel running under it. The road took the name Kingsway, honoring the reigning monarch.

The formal opening came on 18 October 1905, six years almost to the month after the LCC first laid out its plans. A royal procession led by King Edward VII and Queen Alexandra moved through the street. A souvenir program printed on a decorative napkin laid out the day’s schedule and doubled as a keepsake. Alongside the pageantry, a petition from the Poplar Borough Council on behalf of the area’s unemployed.

John Aird and his companion stood somewhere in the crowd watching the procession go by. We know they were on holiday, having just visited Westminster and Big Ben. It was the third time they had seen the King and Queen on their short trip. Could that be true?

The Court Circular could settle the question. This daily official log of the sovereign’s engagements has run in The Times since 1803. If the King and Queen appeared twice more that week, the Circular would name the place and hour. Bound volumes covering this period sit in the Royal Collection Trust’s archive. The daily printed record itself lives in the Times Digital Archive.

It’s easy enough to believe John’s claim, though. The King kept a famously full public calendar. A visitor spending real time in London that October had a genuine chance of crossing paths with the royal couple more than once.

There’s another small clue in the postmark that reads: LONDON NW OCT 18 05 No. 19. Before modern postal codes, there were local office units. So John mailed this notable card home on a date and from a location that fits his story.

We will get one or two more glimpses of John Aird in this collection. Expect two or three more passes through the postcards at least, too, as we ride the rails in this river region. All thanks to Nurse Aird, who so often sent word ahead.

To Read More

People Past

Last week, buildings emerged and oil derricks erupted. Evidence accumulated, context implied. An unknown town takes shape and we surmise. Now, people stare across a century and time flies.

Seven adults carefully arranged on a rocky outcrop. Three men, four women. Two children in white dresses seated in front. Twins? Cousins? Someone operated the camera.

We see the composition and relational questions arise. Are they family? Kin? Friends on an outing? Do the poses suggest occasion, or documentation?

Evidence ends and story begins. We fill in by reading subtle cues in how they stand, who touches whom, which faces seem to fit together. Clues come quietly and mistakes, too. Always, we’re revealing ourselves.

Here we see one girl, three moments, and years passing. The baby stares out with solemn intensity. Then she’s older, on a throne in white dress, commanding the frame. Finally she’s the eldest of four, and her protective gaze tells all.

The postcards show her time moving, roles shifting. She grows and gains presence. She becomes a big sister, then a bigger sister still.

The postcards show the sequence and the story intrudes. We can safely assume the scenario, the kinship, the birth order. But then we imagine her. She and her siblings stand as evidence. We provide the narrative.

Now nine men, perched around a large rock on uneven ground in a forest, maybe a park. Hats, a variety of ties, white shirts in sunlight. Ages range. Some engage the camera. Others look away.

Compare this to the first photograph. Similar outdoor setting and careful arrangement. Same paper stock, same photographic quality. Do any faces repeat? That man in the center looking off to the distance—could he be the man on the back left of the family group?

We squint. The shape of a jaw, the set of shoulders, the tilt of a head. Errors lead us toward other observations. Misreads become clues. We’re searching, and trying out plausible connections.

A different girl and a similar progression (maybe). The baby carriage can be dated within a range, 1915-1925. Fashions shift slowly in some places, rapidly in others, but period details do show. Those bows!

However, uncertainties hover. Is this the eldest girl growing up? Or, are we forcing connection where none exists? The bobbed hairstyles might give it away. Or they might mislead entirely.

A particular stare, a nose ridge, an anomaly at the jawline, and we are on the pursuit again. The faces echo. Three generations, or two. We assign roles: son, mother, daughter. Sisters?

The oval portrait shows four women arranged in a formal cluster. Elaborate hairstyles, high collars, cameo brooch visible on the seated figure. More prosperous, perhaps. Different family entirely, or different branch? Is she at the center the same as the older woman below? We cannot know.

In between the guesses, a different story emerges entirely. Our own families, and that we belonged. Or, that we confidently walked on. In either case, we are humming with history.

We’re deep in assumption now. Building genealogies from facial features, paper stock, and similar poses. The archives encourage it. These cards traveled together. Someone kept them together. The connections existed, however disassembled.

Another baby carriage, different from the first. And on the back of the card, handwriting: this is Irene with Willie’s baby, sent to Aunt Fannie. We know Irene from when she was four, seated with Uncle Rufus Dale, 84.

What satisfaction, when a storyline clings together. Names accumulate. Groups delineate. Relationships clarify. The archive speaks back, and the story begins to imitate fact.

The search becomes research. The archive rewards our attention and budding accuracy. But, who doesn’t love Aunt Fannie? Even if we’ve never seen her.

Now, here is Irene amid two new figures who appear to have a strong bond. Sisters? Friends?

As we might expect, there is more to reveal. Next week, we’ll look at pairings in quite a variety, and even more merry misleads. Then portraits, and finally, a grave.

Wise Eyes

Old Rufus Dale had seen a thing or two, and Irene had her suspicions.

An early 20th century real photo postcard (RPPC) showing a poignant intergenerational portrait.

Front of the card: The photograph captures an elderly man with a distinctive long white beard, dressed in a dark suit, seated on a dilapidated wooden loveseat or couch in front of a clapboard house. Beside him sits a young child in a white dress, perched on the arm of the furniture. Behind them a decorative lace curtain hangs outside the open window. The setting appears to be rural America.

Back details: The reverse shows the handwritten inscription in pencil, Uncle Rufus Dale, age 84 and Irene age 4. We can assume a family relationship, likely between grand-uncle and grand-niece.

Condition and Appeal: The real photo postcard is in excellent condition front and back, unposted with helpful writing, and an AZO indicia dating the item between 1904 and 1918. The subject matter and production method suggest this is a unique image and object, with no known duplicate.

RPPCs are quite collectible, especially those with interesting and clear photographic subjects. The rural American family setting, the age gap between subjects, and the excellent condition make this item more desirable, appealing to collectors of early photography, genealogy researchers, postcard collectors, and those interested in American family and social history from the early 1900s.

[Note: Summer focus is on detailed captions. Essays return in September!]

Mattoon through Mayme’s Eyes

Sisters Mayme and Carrie stay in touch as Mattoon IL grows from a creek-side town to a modern crossroads before the war, 1910-1918.

Between 1910 and 1918, a series of postcards traveled between Mattoon, Illinois, and St. Mary’s, Indiana. On one end was Mayme, the author, who had made her home in the bustling railroad town of Mattoon. Her sister Carrie, who remained in St. Mary’s, received and kept the cards, now more than a century old. These correspondence cards—adorned with images of Mattoon’s infrastructure and landmarks—captured more than just personal exchanges between siblings. They documented a profound moment in America’s transformation from a rural society to an industrialized nation, with small Midwestern cities like Mattoon serving as microcosms of this national metamorphosis.

Nature and Community

Mayme sent the first postcard on November 29, 1910, bearing an image of Riley Creek with its stone bridge arch—a glimpse of the natural landscape that surrounded the growing town of Mattoon. This serene view of the creek precedes the increasingly industrialized town that Mattoon was becoming. Founded in 1855 and named after William B. Mattoon, a partner in the construction firm that built the Illinois Central Railroad, the town served as a critical junction between the Illinois Central and the Terre Haute & Alton railroads.

The stone bridge spanning Riley Creek represents essential infrastructure that connected different parts of the community and facilitated transportation within and beyond the town. Such bridges were vital elements in expanding road networks that would eventually complement the railroad’s dominance in transportation.

Mayme wrote about burdensome domestic chores and a new dress for an upcoming ball that she would wear again to a Thursday card party. She was participating in the social life of a community that was growing from its natural surroundings into a prosperous small city.

I’m about worked to death, washed my sitting room curtains, blackened my cook stove, scrubbed the kitchen and goodness knows what all…

Industry and Infrastructure

By 1914, Mayme was sending postcards that highlighted Mattoon’s industrial development. One image showcased the substantial Clark Meter Box Factory, with its distinctive tower and solid brick construction. America’s industrial expansion was moving beyond major manufacturing centers into smaller towns and cities. The factory produced meter boxes for utilities—products essential to the electrification and modernization sweeping across America in the early 20th century.

While Mayme reported her handiwork at home like knitting, crocheting, and gardening, the meter box factory represented the industrial world that was transforming the American economy. Manufacturing facilities like this provided jobs that attracted workers and their families to communities like Mattoon, contributing to urban growth and economic diversification beyond traditional agricultural and railroad employment.

Also in 1914, Mayme sent a postcard showcasing Mattoon’s “New U.S. Post Office,” a stately neoclassical building with grand arches and an American flag prominently displayed. This wasn’t merely a functional building but a statement of federal presence and civic achievement. During this period, post offices in American towns weren’t just mail facilities—they were symbols of connection to the national government and markers of a community’s importance.

The grandeur of Mattoon’s post office reflected the federal government’s expanding role in American life—a time when postal services were being standardized and rural free delivery was connecting previously isolated communities. The building is a physical manifestation of the communication network that allowed Mayme’s postcards to travel to Carrie with such regularity.

Hospitality and Social Life

In 1915, Mayme’s postcard featured the lobby of the Hotel Byers, offering a glimpse into the social aspirations of Mattoon during this era. The elegant interior, with its decorative fireplace, ornate hanging lamps, and comfortable seating area, represented the town’s desire to provide metropolitan amenities. Hotels like the Byers served not just as lodging for travelers but as social centers for the community.

For Mayme, the hotel offered refined experiences and social mobility. The hotel’s ballroom would have served as the venue for the dances she mentioned, while its dining room hosted the card parties that figured prominently in middle-class social life. These gatherings provided opportunities for networking across class lines, connecting domestic and railroad workers’ families with merchants, professionals, and industry owners.

The “new” Hotel Byers replaced an older establishment of the same name that had served Mattoon since the late 19th century. This newer iteration, constructed around 1914, was a modern hotel that served as crucial infrastructure for a growing city with ambitions to attract business and industry. The hotel’s construction coincided with a period of economic optimism in Midwestern towns before America’s entry into World War I, when many similar communities were upgrading their commercial buildings as part of the broader Progressive Era emphasis on civic improvement.

Railroad Town

The last postcard featured the “Illinois Central Subway” in Mattoon, which wasn’t an underground transit system but a distinctive sunken railway passage that bisected the town. This engineering feature allowed trains to pass through without disrupting street-level traffic, a forward-thinking design that embodied the marriage of infrastructure and everyday life. The buildings lining the upper level of the postcard show Mattoon’s commercial district that grew directly alongside the railroad—their proximity a testament to the symbiotic relationship between commerce and transportation.

Hope everybody’s well. Let me know just as soon as Jerry is called…

War Shadows

By July 1918, Mayme’s tone had shifted. Her ominous request to let her know “as soon as Jerry is called” reveals the long shadow cast by World War I over these Midwestern communities. The United States had entered the war in April 1917, and the military draft was touching families across the nation.

The war accelerated many of the industrial and social changes already underway in towns like Mattoon. Labor shortages created by military service opened new employment opportunities, particularly for women. The focus on wartime production reshuffled economic priorities. And the specter of loss hung over families, even as daily life continued.

While Mattoon’s industrial capacity may have contributed to the war effort through manufacturing, the human cost was felt intensely in personal correspondence like this.

Two Sisters

Throughout these exchanges, we see two different life trajectories embodied by the sisters. Mayme chose life in a developing industrial town, participating in its social events and domestic economy while witnessing its physical transformation. Her postcards—featuring Mattoon’s architectural achievements and industrial facilities—suggest a certain pride in her adopted community.

Carrie eventually married a man named Earl, and they moved around a bit. Both sisters maintained domestic skills—knitting, crocheting, sewing, and food production—that connected them in conversation even as the world around them changed. Their correspondence across state lines preserved family bonds—a common experience as increased mobility dispersed American families. The railroad and postal service made this ongoing connection possible.