Why the Woods?

Vintage postcards reveal America’s enduring love affair with wild spaces. Through war, depression, and social upheaval, we’ve preserved these sanctuaries of peace.

On an autumn morning in 1935, Eleanor Roosevelt walked alone through the woods at her personal retreat in Hyde Park, New York. The First Lady had just returned from touring poverty-stricken areas in West Virginia, where families struggled to survive the Great Depression.

These morning walks were her ritual for processing the weight of what she witnessed in her tireless work. The woods, she would later write, helped her find the clarity needed to transform empathy into action.

Decades earlier, John Muir had written to a friend. His words would become a rallying cry for the American conservation movement, adorning everything from park posters to backpack patches.

The mountains are calling and I must go.

But what exactly is this call we hear from nature? Why do we feel drawn to preserve wild spaces and to protect them for future generations? And what happens to us when we answer that call?

The ephemera spread across my desk capture America’s parks in saturated colors and earnest prose. Welcome to Yosemite and Camp Curry! The hope is that some special part of life is revealed.

These mass-produced mementos tell a story of democratic access to wilderness, of a shared heritage preserved through an unprecedented system of public lands. But they also hint at something deeper – our innate recognition that we need these spaces not just for recreation, but for restoration.

The same wisdom that guided Eleanor Roosevelt to seek solitude among the trees has been confirmed by modern science: nature calms us at a biological level.

Science of Serenity

When we step into a forest, our bodies respond immediately. Cortisol levels drop. Blood pressure decreases. Our parasympathetic nervous system – responsible for rest and recovery – becomes more active.

Even our visual processing changes: natural fractal patterns, like those found in tree branches and leaf veins, require less cognitive effort to process than the sharp angles and straight lines of human-made environments.

Trees release compounds called phytoncides that, when inhaled, enhance immune function and reduce stress hormones. Natural sounds – running water, rustling leaves, bird songs – engage our attention in a way that promotes neural restoration rather than fatigue.

Physiologically, exposure to diverse natural environments even affects our microbiome – the community of microorganisms living in and on our bodies. This microscopic ecosystem influences everything from mood regulation to stress response through the gut-brain axis. In a very literal sense, communion with nature changes who we are.

Preserving Peace

The story of how Americans came to preserve our wild spaces is, in many ways, a story about seeking peace – both personal and collective. The movement gained momentum after the Civil War, as a wounded nation looked westward not just for expansion, but for healing.

Frederick Law Olmsted, who fought depression throughout his life, designed public parks as democratic spaces where people of all classes could find restoration. His work on New York’s Central Park and other urban green spaces was guided by his belief that nature’s tranquility could help ease social tensions and promote civic harmony.

John Muir found his own peace in the Sierra Nevada after wandering the war-torn South as a young man. His passionate advocacy helped establish Yosemite National Park and inspired generations of conservationists.

But it was President Theodore Roosevelt, another seeker of nature’s consolation, who would transform individual inspiration into national policy. Roosevelt’s experience finding solace in the Dakota Territory after the deaths of his wife and mother shaped his approach to conservation. He understood viscerally that wilderness could heal, that it offered something essential to the human spirit.

During his presidency, he protected approximately 230 million acres of public land, establishing 150 national forests, 51 federal bird reservations, four national game preserves, five national parks, and 18 national monuments.

Women in the Woods

While Roosevelt’s dramatic expansion of public lands is well known, the role of women in American conservation deserves greater recognition.

Susan Fenimore Cooper, a student of her famous father, published Rural Hours in 1850 – a detailed natural history that influenced both Thoreau and the early conservation movement. Her careful observations helped Americans see local landscapes as worthy of preservation.

Marjory Stoneman Douglas fought to protect the Florida Everglades when most saw it as a worthless swamp. Her 1947 book The Everglades: River of Grass transformed public understanding of wetland ecosystems. She found that regular communion with nature sustained her through decades of advocacy work.

These leaders shared a practical approach to conservation, focusing on specific, achievable goals while maintaining remarkable equanimity in the face of opposition. Their work suggests that protecting nature and being protected by it can form a reciprocal relationship – the more we preserve wild spaces, the more they preserve something essential in us.

Dark Places

The path to peace often leads through our own shadows. While Americans preserve scenes of spectacular beauty, the relationship between nature and human resilience has been proven most powerfully in places of confinement and struggle. These dark places – prisons, exile, places of oppression – have paradoxically served as crucibles for some of humanity’s deepest insights about peace and connection to nature.

Nelson Mandela’s garden on Robben Island stands as a profound example. In the harsh environment of a maximum security prison, Mandela and his fellow prisoners created a garden in the courtyard where they crushed limestone. In his autobiography, he wrote: “A garden was one of the few things in prison that one could control. To plant a seed, watch it grow, to tend it and then harvest it, offered a simple but enduring satisfaction. The sense of being the custodian of this small patch of earth offered a small taste of freedom.”

This echoes the experience of Albie Sachs, who after surviving an assassination attempt that took his arm and the sight in one eye, found healing partly through his connection to the natural world. During his recovery, watching the ocean’s rhythms helped him develop the concept of his later book – Soft Vengeance – achieving justice through law rather than violence.

Martin Luther King Jr. often drew on natural imagery to maintain his equilibrium and express his vision during frequent detainment. From the Birmingham Jail, he wrote of the majestic heights of justice and used metaphors of storms and seasons to describe the civil rights struggle. His deep understanding of peace was shaped not just by moments of tranquility in nature, but by finding inner calm in places of confinement.

The Dalai Lama often speaks of how the Himalayas’ steady presence influenced Tibetan approaches to maintaining calm, even through decades of exile.

These experiences remind us that while we focus on America’s preserved wilderness spaces, the human need for connection to nature is universal. Peace is an American pursuit and a global birthright. When we protect natural spaces, we’re participating in something that transcends national boundaries – the preservation of humanity’s common sanctuary.

Paths to Peace

The leaders who shaped American conservation found different routes to and through nature. John Muir sought transcendent experiences, climbing trees in storms and walking thousands of miles in solitude. Gifford Pinchot, first chief of the U.S. Forest Service, took a more systematic approach, seeking balance between preservation and sustainable use. Rachel Carson combined meticulous scientific observation with poetic sensitivity to nature’s rhythms.

Their examples suggest there is no right way to find peace in nature. Some need solitude and silence. Others seek the raw tests of strengths and capacity, and find restoration in active engagement with the natural world. Some seek dramatic landscapes to ponder in awe, others find sufficient wonder in a city park or backyard garden.

Wild Wisdom

Ralph Waldo Emerson wrote in his essay on Nature, “…in the woods, we return to reason and faith.” His words point to something profound about nature’s effect on human consciousness – how it seems to restore us not just to calm, but to our truest selves.

Modern research into nature’s calming effects – the lowered cortisol, the enhanced immune function, the restored attention – helps explain the mechanisms behind what people have long intuited. For those who find great equanimity through connection with nature, there also seems to be an innate genius in each of us that emerges more fully in wild spaces.

We might experience this as artistic, spiritual, or intellectual – and perhaps even more fundamental – a capacity for presence, for wonder, for sensing our connection to something larger than ourselves. It’s what Eleanor Roosevelt accessed on her morning walks, what John Muir celebrated in his rhapsodic nature writing, what Jane Goodall tapped into during her patient observations of primates in Gombe.

The preservation of wild spaces represents more than conservation of natural resources or recreational opportunities. It preserves access to this deeper part of ourselves – the part that knows how to find peace, that remembers how to wonder, that recognizes our belonging in the larger community of life.

These vintage postcards capture more than just scenic views. They record moments when people felt called to share their experience of wonder, to say to friends and family that the experience mattered. The fact that we’ve preserved and share these places, despite constant pressure to exploit them, suggests we recognize they offer something essential to human flourishing.

Why the woods? Because something in us comes alive there. Because in preserving wild spaces, we preserve the possibility of encountering our own wild wisdom, and these revelations are too precious not to protect for future generations.

Each time we step into nature – whether it’s a national park or a neighborhood green space – we participate in this legacy of preservation. We join a long line of people who recognized that human flourishing depends on maintaining connection to places where we might find peace and that help us face whatever challenges await when we return.

Ikebana, Cultural Exchange, and the 1970 Osaka Expo

Explores the pivotal events and cultural shifts surrounding a humble set of Ikebana postcards, taking us on a journey from ancient Japanese traditions to the futuristic visions of the 1970 Osaka Expo, and beyond.

In the late 1960s, a set of postcards made its way from Tokyo to Hawaii, and then onto the American mainland. At first glance, these look like simple instructional cards about flower arranging. But a deeper dive reveals a fascinating story of cultural exchange, artistic tradition, and a pivotal moment in post-war Japanese history.

A Window into Cultural Exchange

Our story begins with a set of twenty postcards, published in 1969 by Shufunotomo Co., Ltd. in Tokyo and distributed by M. Dacal Enterprises in Hawaii. Titled in bold IKEBANA OF JAPAN, these cards weren’t only pretty pictures. They were a practical guide to Moribana, a style of Ikebana (Japanese flower arranging) developed by the Ohara School. Each card provided detailed instructions and diagrams, allowing anyone to try their hand at this ancient Japanese art form.

The very existence of these postcards tells us much about the cultural climate of the time. That a Japanese publisher would create such a set, and an American company would distribute it, speaks volumes about the growing Western fascination with Japanese culture in the post-war era. But why was this happening, and why then?

Post-War Cultural Curiosity

Let’s step back and look at the broader picture of US-Japan relations in the decades after World War II. The war had left deep scars on both sides, but the post-war years saw a remarkable transformation in the relationship between these former enemies.

As Japan rebuilt and its economy began to grow at an astounding rate (the so-called “Japanese economic miracle”), Americans became increasingly curious about this nation that was rapidly becoming an economic powerhouse. This curiosity extended beyond economics to encompass Japanese culture, arts, and traditions.

Rise of Japanese Cultural Influence

By the 1960s, various aspects of Japanese culture were gaining traction in the United States. The first anime series broadcast in the US, “Astro Boy,” aired in 1963, marking the beginning of what would become a major cultural import. Traditional Japanese arts like Ikebana, the tea ceremony, and martial arts were also gaining popularity among Americans interested in Eastern philosophy and aesthetics.

This interest was part of a broader trend. The counterculture movement of the 1960s often looked to Eastern philosophies and practices as alternatives to mainstream Western culture. Zen Buddhism, in particular, captured the imagination of many Americans, bringing with it an appreciation for Japanese aesthetics and art forms.

In academia, American universities were expanding their Asian Studies programs, fostering scholarly exchange and increased understanding of Japanese culture. This academic interest helped to deepen and contextualize the growing popular fascination with Japan.

Ikebana: More Than Just Flower Arranging

At the heart of our postcard set is Ikebana, an art form that encapsulates much of what attracted Westerners to Japanese culture. Ikebana is not merely decorative; it’s a profound artistic practice deeply rooted in Japanese aesthetics and philosophy.

Originating in the 6th century as a Buddhist ritual of offering flowers to the spirits of the dead, Ikebana evolved over centuries into a highly refined art form. It emphasizes the beauty of simplicity, the importance of space and form, and a deep appreciation for the impermanence of nature.

The Moribana style featured in our postcard set is particularly significant. Developed in the late 19th century by Unshin Ohara, founder of the Ohara School, Moribana represented a significant departure from more rigid traditional styles. The name “Moribana” translates to “piled-up flowers,” referring to its more naturalistic, abundant appearance compared to earlier styles.

Moribana was a response to the introduction of Western flowers to Japan and the influence of Western floral arrangement concepts. It uses a shallow, flat container called a suiban, which allows for more freedom in the arrangement and can include water as a visible element. This style aims to recreate natural landscapes or garden scenes in miniature, allowing for a wider variety of materials and a three-dimensional approach that can be viewed from all angles.

The development of Moribana reflects the broader changes happening in Japan during the Meiji era (1868-1912), a time of rapid modernization and Western influence. Just as Japan was finding ways to blend traditional culture with Western influences in politics, economics, and social structures, Moribana represented a similar synthesis in the world of art.

1970 Osaka Expo: Japan’s Global Coming Out Party

As our postcards were making their way across the Pacific, Japan was preparing for an event that would mark its definitive re-emergence on the global stage: the 1970 World Expo in Osaka.

The choice of Japan as the host for the 1970 World Expo was significant. It was the first World Expo to be held in Asia, symbolizing Japan’s reintegration into the international community and its new status as an economic powerhouse. The theme of the Expo, “Progress and Harmony for Mankind,” reflected an optimistic vision of technology and international cooperation that resonated in the post-war era.

The Osaka Expo was a massive undertaking and a resounding success. It attracted over 64 million visitors, making it the most attended expo in history at that time. The event showcased Japan’s technological advancements and cultural heritage side-by-side, presenting a vision of a country that had successfully modernized while maintaining its unique cultural identity.

It would take more research to learn about Ikebana displays at the Expo, but it’s highly likely that this traditional art form was featured prominently. The Expo was, after all, Japan’s opportunity to show its best face to the world, and traditional arts like Ikebana would have been important in representing Japan’s cultural heritage alongside its technological achievements.

The Expo is known for its architectural marvels, including Kenzo Tange’s Festival Plaza and the iconic Tower of the Sun by Taro Okamoto. These structures embodied the futuristic optimism of the event while also incorporating elements of traditional Japanese aesthetics. In this context, traditional arts like Ikebana would have provided a counterpoint to the futuristic exhibits, demonstrating the continuity of Japanese culture amidst rapid change.

Legacy of the Osaka Expo

The 1970 Osaka Expo left a lasting impact on Japan and its relationship with the world. It cemented Japan’s image as a technologically advanced nation while also showcasing its rich cultural heritage. The event contributed to the growing global interest in Japanese culture, arts, and design philosophy.

In the years after the Expo, Japan’s cultural exports increased dramatically. Japanese electronics became synonymous with high quality and cutting-edge technology. Japanese management practices were studied and emulated around the world. And Japanese popular culture, from anime and manga to fashion and cuisine, began to exert a growing influence globally.

This was the context in which our Ikebana postcards were circulating. They were part of a larger wave of Japanese cultural influence that was washing over the Western world, particularly the United States. The postcards represented more than just a guide to flower arranging; they were a tangible connection to a culture that was increasingly capturing the American imagination.

Ikebana in the Modern World

Today, Ikebana continues to be practiced both in Japan and around the world, though like many traditional arts, it faces challenges in the modern era.

In Japan, Ikebana remains an important part of cultural education. Many schools and universities offer Ikebana courses, and other schools like Ikenobo, Ohara, and Sogetsu have headquarters and branches throughout the country. Regular exhibitions showcase both traditional and contemporary Ikebana, and the art form is often featured in cultural festivals and events.

Internationally, organizations like Ikebana International, which has many chapters in the U.S., play a crucial role in promoting and preserving the art form. These groups organize exhibitions, workshops, and lectures, helping to keep the tradition alive and introduce it to new audiences.

Many cities with significant Japanese-American populations have cultural centers that offer Ikebana classes. Botanical gardens and art museums occasionally host Ikebana exhibitions, providing broader exposure to the art form. Some cities have local Ikebana clubs or study groups, creating communities of practitioners and enthusiasts.

The COVID-19 pandemic accelerated the trend of online Ikebana classes and virtual exhibitions, making the art form more accessible to people around the world. Social media platforms like Instagram have also provided new ways for Ikebana practitioners to share their work and connect with others, helping to popularize the art form among younger generations.

Challenges and Evolutions

Despite its enduring appeal, Ikebana faces challenges in the modern world. In both Japan and internationally, there’s concern about attracting younger generations to the art. The meditative, time-consuming nature of Ikebana can be at odds with the fast-paced, digital-first lifestyles of many young people.

There’s also an ongoing discussion within the Ikebana community about how to balance tradition and innovation. While some practitioners strictly adhere to traditional forms and rules, others are exploring new approaches, blending Ikebana with contemporary art concepts or fusing it with other cultural flower-arranging traditions.

Environmental concerns are also influencing the practice of Ikebana. There’s a growing emphasis on sustainable practices, with some practitioners focusing on using local, seasonal materials or incorporating found objects and recycled materials into their arrangements.

Enduring Appeal of Ikebana

Despite these challenges, the core principles of Ikebana continue to resonate with many people around the world. In an era of constant digital stimulation and environmental anxiety, the practice offers a way to slow down, connect with nature, and create beauty with one’s own hands.

The philosophy behind Ikebana – with its emphasis on simplicity, asymmetry, and the appreciation of natural forms – aligns well with contemporary interests in mindfulness and sustainability. As a meditative practice, Ikebana offers a form of stress relief and a way to cultivate presence and attention to detail.

Moreover, as our lives become increasingly virtual, there’s a growing appreciation for tangible, physical arts like Ikebana. The act of carefully selecting and arranging natural materials provides a tactile, sensory experience that many find grounding and rejuvenating.

From Postcards to the Present

Our journey began with a set of postcards – a modest gesture to bridge cultures through careful examples and explanations of the art of flower arranging. These cards, with their detailed instructions and diagrams, were more than just a guide to Ikebana. They were ambassadors of Japanese culture, part of a broader wave of cultural exchange that helped reshape the relationship between Japan and the West in the post-war era. It’s a story of how art can transcend cultural boundaries, fostering understanding and appreciation between formerly adversarial nations.

Today, as we face global challenges that need international cooperation and mutual understanding, the lessons of this cultural exchange are still relevant. The practice of Ikebana, with its focus on harmony, balance, and the appreciation of nature, offers not just aesthetic pleasure but a philosophy that resonates with contemporary concerns.

From those mid-century postcards to today’s Instagram posts, Ikebana continues to evolve while remaining true to its core principles. It stands as a testament to the enduring power of art to connect people across cultures and generations, inviting us all to pause, observe, and create beauty in our own corners of the world.

As we look to the future, the story of Ikebana reminds us of the importance of preserving traditional arts while remaining open to innovation and cross-cultural exchange. In a world that often seems chaotic and divided, perhaps we can all learn something from the thoughtful, harmonious approach of Ikebana – arranging the elements of our lives and our global community with care, respect, and an eye for beauty.